Robert A. Heinlein

Robert Anson Heinlein (July 7, 1907 - May 8, 1988) was one of the most influential authors in the science fiction genre.

Heinlein was born in Butler, Missouri, but spent his childhood in Kansas City, Missouri, in the early years of the 20th century. This was a time of great religious revival across America, especially socially marginalized areas such as Missouri. The outlook and values of this period would influence his later works; however, he would also break with many of its social mores, at least on an intellectual level, frequently portraying them as narrow-minded and parochial.

After high school, Heinlein attended the U.S. Naval Academy in Annapolis, Maryland. After graduating from the Academy in 1929, he served as an officer in the United States Navy until 1934, when he was discharged due to pulmonary tuberculosis. The military was the second great influence on Heinlein; throughout his life, he strongly believed in loyalty, leadership, and other military ideals. This attitude permeated his fiction, most prominently (and controversially) in the novel Starship Troopers. His 1961 Stranger in a Strange Land was the first science-fiction book to become a national best-seller -- readers who did not read SF books as a rule were interested in Heinlein's philosophy, as expressed in that novel, which transcended what was seen as the usual scope of such novels at the time, preoccupied with robots, flying saucers, and bug-eyed monsters.

After his discharge, Heinlein studied mathematics and physics at the University of California, Los Angeles. He also worked in a series of odd jobs, including real estate dealership and silver mining. Heinlein was active in Upton Sinclair's socialist EPIC (End Poverty In Califorina) movement in early 1930's California. When Sinclair gained the Democratic nomination for governor of California in 1934, Heinlein worked actively for the campaign (which was unsuccessful). Heinlein himself ran for the California state assembly in 1938, which also was unsuccessful. Destitute after the campaign, Heinlein turned to writing to make a living.

Table of contents
1 Heinlein's philosophy
2 Struggle for self-determination
3 The theme of self-making
4 Juveniles
5 Bibliography
6 External Links

Heinlein's philosophy

As in the work of other authors, in Heinlein's work there is little clear distinction between the themes of his work and the sort of philosophical views that he propagated.

In his book To Sail Beyond the Sunset, Heinlein has the main character, Maureen, state that the purpose of metaphysics is to ask questions: Why are we here? Where are we going after we die? (and so on), and that you are not allowed to answer the questions. Asking the questions is the point for metaphysics, but answering them is not, because once you answer them, you cross the line into religion. He doesn't really say why, but the answer as to "why" is obvious: because any answer is an opinion. It may be a good opinion, or a bad one, but it's only what the person who wrote the opinion believes. Such opinions cannot be validated, e.g., you can't ask the person to show you what it is like after death or provide for a personal audience with their God or gods.

Struggle for self-determination

The theme of revolution against corrupt, nasty oppressors informs several of Heinlein's novels:

The theme of self-making

The theme of self-making is taken to its furthest in the related books Time Enough for Love, The Number of the Beast, and To Sail Beyond the Sunset. We are invited to wonder, what would humanity be in the absence of all customs? How would our humanity be expressed if we did not develop under the soul-squashing influence of culture? We would be individuals. We would have self-made souls.

Other recurring themes binding Heinlein's works together include individual dignity and the value of both personal liberty and responsibility, the virtue of independence, science as a liberating factor, the perniciousness of bureaucrats, the brutality of corporate power, the hypocrisy of organized religion, and the subjective value of mysticism.

Juveniles

The novels that he wrote for a young audience are very different than this "adult" works. He is still the same person, but the themes he takes on in these books have much more to do with the kinds of problems that adolescents experience. His protagonists are usually very intelligent teenagers who have to make a way in the "adult" society they see around them. They are simple tales of adventure, achievement, dealing with dumb teachers and jealous peers. The books "Have Spacesuit, Will Travel", "Farmer in the Sky", "The Rolling Stones" are most representative of this type.

However, Heinlein was outspoken with editors and publishers (and other writers) on the notion that juvenile readers were far more sophisticated and able to handle complex or difficult themes better than most people realized. Thus even his juvenile stories often had a maturity to them that make them readable for adults. Indeed, his last "juvenile" novel was Starship Troopers, which is also probably his most controversial work.


Bibliography

Novels

Short stories

Collections Nonfiction

Spinoffs

  • The Notebooks of Lazarus Long illuminated by D.F Vassallo (1978)
  • Fate's Trick by Matt Costello (1988)
  • Requiem: New Collected Works by Robert A. Heinlein and Tributes to the Grand Master (1992)

Filmography

  • "Starship Troopers" (book) (1997)
  • "Roughnecks: The Starship Troopers Chronicles" TV series (1999)
  • "Red Planet" TV mini-series (book) (1994)
  • "Robert A. Heinlein's The Puppet Masters" (book) (1994)
  • "The Brain Eaters" aka "The Brain Snatchers" aka "Keepers of the Earth" aka "The Keepers" (book The Puppet Masters) (uncredited) (1958)
  • "Project Moon Base" (1953)
  • "Destination Moon" (book Rocket Ship Galileo) (screenplay) (technical advisor) (Retro Hugo Award, best dramatic presentation, 1951) (1950)

External Links